“Visions of the Void II” for piano and electronic (fixed media, two channels) will be performed again, this time at the Seoul International Computer Music Festival SICMF 2017 in South Korea.
The KEAMS (Korea Electro-Acoustic Music Society) organizes this festival yearly. The edition of this year will take place in the Asia Culture Center (ACC), an international arts and cultural exchange organization located in the city of Gwangju, the sixth largest city of South Korea situated in the south of the country. It will be a 6 day festival in this awesome place in Gwangju.

Eun Young Son will perform my work the next October 26th, 2017 (7:30 PM) in the 7th concert of the festival at the Theater 2, ACC Theater. Eun Young graduated (KA, KE) from the Hochschule für Musik “Carl Maria von Weber” in Dresden (Germany). She has won several international awards like the American Protege (1st) or the IBLA Grand Prize (3rd). Her career has taken an international course with performances at international venues like the Carnegie Hall (New York), the Smetana Hall (Czech Republic) or the Nanyang Technological University (Singapore). She is also the author of the book “Music Education for Early Childhood”. Nowadays she is lecturer at the Chongshin University in Seoul (South Korea).
The Seoul International Computer Music Festival (SICMF) is one of the biggest electro-acoustic music festivals in Asia, and also internationally well-known. Many kinds of ongoing research activities including electro-acoustic music, new electronic instruments and multimedia-based works have been presented annually since 1994. We have invited special composers or performers for the festival such as, Meta Duo, GRAME, INA-GRM, CCRMA, Ensemble Aventure, DEGEM.
Hope to meet you there!
김태희 – The Creation
Nicolas Rodriguez – El viento será
Carlos Guedes – 1985.2
Jorge García del Valle Méndez – Visions of the Void II
Diego Capoccitti – Recondito
Marc Evans – Barlicity
Damian Gorandi – Albures, chistes y entresueños
Carlos Hernández – Moirai



“Visions of the Void II” is a double sided reality (the real and the virtual one) wired together by the compositional structure, which increases their mutual interaction. They constitute an interactive joint: both parts act and react with reciprocal responses giving the impulse to keep moving. The real part is the piano, which it’s alive and walks a given path, exploring the unknown darkness. The virtual part is the electronic, which leads the process and creates an imaginary space within real space where the live component is moving. Both realities are interacting: the piano receives the impulses of the electronic and reacts to it whereas the electronic will change the way we perceive it through the performance of the piano.



And finally (for those of you who always asked) 






